After a few minutes of the pornographic film, however, Betsy runs off, disturbed and offended. Not knowing any better, Travis insists that the film is popular with couples and they go in.
Ang istorya ng taxi driver singapore buod skin#
On their date, Betsy balks when Travis takes her to a seedy Times Square porno theater to see an X-rated skin flick. The man urges Travis to forget about the incident and tosses him a $20 bill. Her name is Iris and just as Travis is about to take off, a man reaches in, grabs her and pulls her out. That same night, a child prostitute gets into Travis's cab begging him to speed away. Gloating that he is the candidate’s biggest supporter, Travis struggles to name why specifically, and instead resorts to a passionately conservative rhetoric, which focuses on taking action to “clean up” the city of its scum and vagrants. Purely by coincidence, Travis picks up Senator Palantine in his cab.
Ang istorya ng taxi driver singapore buod movie#
When Travis asks her to go out to a movie with him, Betsy hesitantly agrees. Their date, while uncomfortable, seems to draw them closer together, each of them puzzling over one another with curiosity. He asks her out for coffee, and while Betsy hesitates at first, she is intrigued by his boldness, and agrees. Shortly thereafter, Travis has worked up the nerve to walk into the campaign offices and approach her. When Betsy takes notice of the stalker-ish cabbie, she gets Tom to check him out, but as he approaches, Travis drives off. He parks outside campaign headquarters just to stare at her, and observes fellow staffer Tom making daily overtures to Betsy using dry humor and ironic self-awareness, traits which infuriate Travis. Inside his campaign headquarters, we meet Betsy, a beautiful young staffer with whom Travis becomes obsessed. It is election season and Senator Palantine is running for office. On one visit to the porno theater, he tries and fails to establish a romantic connection with a black woman operating concessions. Travis is markedly uncomfortable around other people, and especially fidgety around black men. Sometimes he hangs out with a few other cabbies at a 24 hour diner, one of whom- Wizard-dispenses a steady mix of anecdote and philosophy. When he isn’t driving or writing, Travis goes to seedy theaters to watch porno flicks. He laments the dirty streets of New York, bemoaning the predominance of criminals and addicts, and referring derogatorily to minorities such as homosexuals and black people. The journal paints Travis as a lonely man, who feels isolated and alienated by the big city. Travis keeps a journal, parts of which is narrated in voice-over throughout the film. Because he cannot sleep, he rides around the city at night, and if he's going to do that, he might as well get paid for it.
A quick flashback reveals some information about Bickle’s background: he is 26 years old, was honorably discharged from the Marines in 1973 at the peak of the Vietnam War, and he suffers from severe insomnia. Inside, the driver, Travis Bickle, remains alert for passengers. A yellow cab emerges from the Stygian fog of a New York City evening.
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